Year |
Original German |
English Translation |
1933 |
Kierkegaard: Konstruktion des Ästhetischen, GS 2. |
Kierkegaard: Construction of the Aesthetic, trans. by Robert Hullot-Kentor (Minneapolis: University of Minnesota Press, 1989) |
1944/1947 |
with Max Horkheimer, Dialektik der Aufklärung: Philosophische Fragmente, GS 3 |
with Max Horkheimer, Dialectic of Enlightenment, trans. by Edmund Jephcott (Stanford: Stanford University Press, 2002) |
1949 |
Philosophie der neuen Musik, GS 12 |
Philosophy of New Music, trans. by Robert Hullot-Kentor (Minneapolis: University of Minnesota Press, 2006) |
1950 |
|
with Else Frenkel-Brunswik, Daniel J. Levinson, R. Nevitt Sanford, The Authoritarian Personality (New York: Harper & Brothers, 1950) |
1951 |
Minima Moralia. Reflexionen aus dem beschädigten Leben, GS 4 |
Minima Moralia: Reflections from Damaged Life, trans. by Edmund Jephcott (London: NLRB, 1974) |
1952 |
Versuch über Wagner, GS 13 |
In Search of Wagner, trans. R. Livingstone, London: NLB, 1981 |
1955 |
Prismen. Kulturkritik und Gesellschaft, GS 10.1 |
Prisms, trans. S. Weber and S. Weber (Cambridge, Mass.: MIT Press, 1981) |
1956 |
Zur Metakritik der Erkenntnistheorie. Studien über Husserl und die phänomenologischen Antinomien, GS 5 |
Against Epistemology: A Metacritique; Studies in Husserl and the Phenomenological Antinomies, trans. W. Domingo (Cambridge, Mass.: MIT Press, 1982) |
1956 |
Dissonanzen. Musik in der verwalteten Welt |
|
1958 |
Noten zur Literatur I GS 11 |
Notes to Literature I, ed. R. Tiedemann, trans. S. Weber Nicholsen, (New York: Columbia University Press, 1991) |
1959 |
Klangfiguren. Musikalische Schriften I, GS 16 |
Sound Figures, trans. Rodney Livingstone (Stanford: Stanford University Press, 1999) |
1960 |
Mahler. Eine musikalische Physiognomie, GS 13 |
Mahler: A Musical Physiognomy, trans. S. Weber Nicholsen (Cambridge, Mass.: MIT Press, 1993) |
1961 |
Noten zur Literatur II GS 11 |
Notes to Literature II, ed. R. Tiedemann, trans. S. Weber Nicholsen, (New York: Columbia University Press, 1992) |
1963 |
Drei Studien zu Hegel GS 5 |
Hegel: Three Studies, trans. S. Weber Nicholsen (Cambridge, Mass.: MIT Press, 1993) |
1963 |
Eingriffe. Neun kritische Modelle, GS 10.2 |
Critical Models: Interventions and Catchwords, trans. H. W. Pickford (New York: Columbia University Press, 1998) |
1963 |
Quasi una fantasia. Musikalische Schriften II, GS 16 |
Quasi una Fantasia, trans. Rodney Livingstone (London: Verso, 1992) |
1964 |
Jargon der Eigentlichkeit. Zur deutschen Ideologie, GS 6 |
The Jargon of Authenticity, trans. K. Tarnowski and F. Will (London: Routledge & Kegan Paul, 1973) |
1964 |
Moments musicaux. Neu gedruckte Aufsätze 1928–1962, GS 17 |
In Night Music: Essays on Music 1928-1962, trans. Wieland Hoban (New York: Seagull Books, 2009) |
1966 |
Negative Dialektik, GS 6 |
Negative Dialectics, trans. E. B. Ashton (New York: Seabury Press, 1973) |
1968 |
Berg. Der Meister des kleinsten Übergangs, GS 13 |
Alban Berg: Master of the Smallest Link, trans. J. Brand and C. Hailey (New York: Cambridge University Press, 1991) |
1969 |
Stichworte. Kritische Modelle 2, GS 10.2 |
Critical Models: Interventions and Catchwords, trans. H. W. Pickford (New York: Columbia University Press, 1998) |
1969 |
with Hans Eisler, Komposition für den Film |
with Hans Eilser, Composing for the Films (New York: Continuum, 2007) |